Ref.: 50112UN417
During his childhood, Camarón was already going around the streets and inns in Cádiz, singing and playing the guitar to earn a little money. When he wasn’t 17 yet, he recorded some songs, that have now been re-mastered and whose sound has been cleaned up, in the Venta de Vargas, a legendary flamenco establishment during the 1970s. Not all of the songs are strictly speaking part of a...
Ref.: 50112UN15
'Una leyenda flamenca' brings the best Flamenco music to ever grace one's ears and Camarón de la Isla with his pure and hard Flamenco voice touches our soul.
Ref.: 50112UN20D
A documentary with images from Camarón's performances in Paris in 1987 and 1988, accompanied by Tomatito's guitar, and an interview with this cante genious. As bonus material there are several pieces performed at the Cirque D'Hiver in March 1988, one of the six Paris performances, a videoclip and a photo album. This unedited document is a tribute to the greatest cantaor. Lenght: 90 min. PAL...
Ref.: 50113ER88
An ilustrative journey through the new flamenco trends and fusions with troipcal, pop, new age, blues and jazz. Artists include names like Paco de Lucía, José Mercé, Camarón, Pata Negra, Ketama, Dorantes, Tomatito, Enrique Morente, Remedios Amaya, Lebrijano, among others. Length: 60'15".
Ref.: 50112UN68
A compilation with some of Camarón's most importanat recordings.
Ref.: 50112UN69
An uncomon album, with an artistic production below what the cantaor had us used to. The best of the album is the taste of tavern generated by the cantes without guitar with the only percussion being of the knuckles.
Ref.: 50112UN66
While it consists of a summary of the innovations we have heard until today, this disc forecasts new changes. Once again we find bulerías without claps like in the 1971 album but now Paco de Lucía doubles up on falsettos and some answers. With Ramón de Algeciras in charge of the second guitar; three guitars sporadically surface.In the bulerías 'Como castillo de arena' some endings surprise by...
Ref.: 50112UN33
He himself, in the middle of the succes of his Andaluz-inspired work, will drastically change his aesthetics in order to come closer to the brilliant past of Castillian music. It is precisely with the Gypsy Falla that Paco de Lucía will broaden his Flamenco guitar knowledge by recording Paco de Lucía interpreta a Manuel de Falla.
Ref.: 50112UN63
'Canastera' seems to show the most experimental sides of these two flamenco virtuosos. It coincided temporarily with the flamenco 'duende' of Paco de Lucía (1972) y reflects the sound of that time with echoes and rever effects. It starts with an attempt at creating Cante, 'La Canastera', with a chorus that brings back the memories of the copla 'Ojos Verdes', originally written by Valverde, León...
Ref.: 50112UN43
José Monjeand Jose Fernandez, two Flamenco giants who prove their importance through this album. You get goosebumps from 'Limón de cera' and, God, there is nothing in this world that can match Camarón's fine tuning and rhythm. Tomatito is incredible.
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